{"id":2174,"date":"2025-06-19T13:23:21","date_gmt":"2025-06-19T13:23:21","guid":{"rendered":"http:\/\/www.professionedanzaparma.com\/barbara-cocconi-parma-1-12-1970\/"},"modified":"2025-07-16T06:28:23","modified_gmt":"2025-07-16T06:28:23","slug":"barbara-cocconi-parma-1-12-1970","status":"publish","type":"post","link":"https:\/\/www.professionedanzaparma.com\/en\/barbara-cocconi-parma-1-12-1970\/","title":{"rendered":"BARBARA COCCONI"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li>Music teacher, master accompanist for ballet, master in charge of lighting\/phonics\/stage.<\/li>\n\n\n\n<li>Graduated in Piano (V.O.), Music Teaching (four-year school, V.O.) and Vocal Chamber Music (V.O.) from the &#8220;A. Boito&#8221; Conservatory of Parma.<\/li>\n\n\n\n<li>Performs as an accompanist pianist for ballet since 2000, (Scuola di Ballo Accademia Teatro alla Scala from 2004 to 2009; collaborations with several dance schools, including &#8220;Professione Danza Parma,&#8221; from 2000 to the present; participation in numerous stages and intensive weeks; RAD, ISTD and ABT exams).<\/li>\n\n\n\n<li>He is involved in musical training for student dancers, placing great emphasis on the use of voice and body-percussion, specialties that are the subject of constant study through training and refresher courses (Paduano, Baroni, Consorte, Caneva, Mongelli, Magnoni, Pozzo, Plentz, Serratosa).<\/li>\n\n\n\n<li>He has collaborated with choreographer Francesco Ventriglia (2005\/2010), as musical assistant, dance accompanist, and master in charge of lighting\/phonics\/stage, participating in major festivals (including AddaDanza and Venice Biennale).<\/li>\n\n\n\n<li>From 2004 to 2018, she was a teacher of &#8220;Music and Chorus&#8221; at the Professional Training Course for Musical Artists &#8220;Professione Musical&#8221; in Parma, and still works as a chorus preparer as part of several stages on the Musical repertoire.<\/li>\n\n\n\n<li>From the 2012\/2013 to 2018\/2019 school year, she was an accompanist pianist and teacher of &#8220;Music Theory and Practice for Dance&#8221; at the &#8220;Matilde di Canossa&#8221; High School of Dance in Reggio Emilia.<\/li>\n\n\n\n<li>In 2018, he held a 10-hour masterclass at the &#8220;G. Tartini&#8221; Conservatory of Music in Trieste on &#8220;The Pianist Accompanist to Dance.&#8221;<\/li>\n\n\n\n<li>For the 2018\/2019 season, he collaborated with the &#8220;Abbati &#8211; InScena&#8221; company on the staging of the musical &#8220;Kiss me, Kate&#8221; as musical director.<\/li>\n\n\n\n<li>Since October 2018, he has collaborated with the National Dance Foundation as an accompanist pianist for the Aterballetto company&#8217;s technical-practical classes.<\/li>\n\n\n\n<li>As of September 2019, he has been a tenured teacher in the secondary school, competition class A030.<\/li>\n\n\n\n<li>In 2019, his PIANIST&#8217;S NOTEBOOK &#8220;AT THE DANCE&#8221; &#8211; APPOINTS, MATERIALS AND IDEAS FOR A METHODOLOGY OF PIANIST ACCOMPANIMENT TO DANCE (Dantone Editions and Music), ISBN 9788832008203, was published.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2040,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","_piecal_is_recurring":false,"_piecal_recurring_interval":1,"_piecal_recurring_frequency":"","_piecal_recurring_exact_position":false,"_piecal_recurring_end":"","_piecal_color":"","_piecal_text_color":"","_piecal_global_color_master":false,"_piecal_rsets":"[]","_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-2174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-docenti-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/posts\/2174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/comments?post=2174"}],"version-history":[{"count":3,"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/posts\/2174\/revisions"}],"predecessor-version":[{"id":3506,"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/posts\/2174\/revisions\/3506"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/media\/2040"}],"wp:attachment":[{"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/media?parent=2174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/categories?post=2174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.professionedanzaparma.com\/en\/wp-json\/wp\/v2\/tags?post=2174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}